A sleeper of a record from Colorize that warrants attention as a proper gem, ‘Back In My Life’ is a seductive slice of melodic progressive that’s brimming with ambient shimmers, dramatic drumrolls and huge basslines, packing a dancefloor punch without letting things spill gratuitously over into trance. Keep it in your box if you really want to take a house set up a notch.
Being released on the anniversary of his untimely death, Hyperdub release the final EP from DJ Rashad’s production vaults, saving the best till last. ‘CCP2’ feat DJ Spinn sets the tone, a dope soul sample atop a rolling juke frame, followed by the huge vocal-led ‘Cause I Know U Feel’ which is as close as you get to a hands-in-the-air “last tune” with juke. The mood then switches with ‘Taso’ and ‘Do Not Fuck’. The former gets hyper trappy, whilst the latter is an intense footwork beat excursion drenched in paranoia.
The Bulgarian maestro demonstrates on his ‘Cloud Generator’ EP he’s more than happy to defy expectations, a respite from the darker techno he’s so proficient at producing, though the closing breakbeat mix of ‘Pocket Piano’ is the most unexpected and memorable, a glorious rave throwback with enough sonic surprises to leave dancefloors breathless.
Whilst many producers have tried (and failed) to really provide a suitable platform for the Ragga Twins over the years, Double Helix has finally come along and produced something so cracked out, mutant and leftfield yardstyle as to fit their unique flow. It’s Alice tumbling down the rabbit hole of the darkest UK sound system music – jungle, grime, dub, 2 step, hip hop, ragga – only to be driven through a particle collider to create absolute chaos. Brilliant.